Want More Freelance Dramaturg?

You got him!

I promise to one day provide real, honest to god Slog-tent sooner or later. I have been plugging away over at Thunder Matt's Saloon, though, so if you need your Wolter fix, remember to check there (usually on Tuesdays).

But until then, have a little Freelance Dramaturg on me...

As usual, click to enlarge.

Standard Disclaimer No One Believes: though FD bears superficial resemblance to me, he is not me. Nor is FSO meant in any way to represent the always charming and vivacious Alibear. She would have been attentive to a fault if I came home like that. Also, she has a nose, and is drawn a lot better than that in real life.¹

Coming soon: The Slog's Album of the Year!²

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1. One of the "rules" I've set for Freelance Dramaturg is that I don't lay these out or sketch them in any way first, so any weird proportion issues or odd panels are explained by that perverse self-discipline.
2. I swear it's not Damn Right, Rebel Proud again. Honest.

Freelance Dramaturg Returns! Again!

That last post was a real bummer, huh? Cathartic for me, but it can't have been too fun for the rest of you.

Here's something a little more frivolous: a Freelance Dramaturg cartoon I drew last weekend, when I was far too drunk to actually draw well (thank goodness he's easy). Click to enlarge:



For those "in the know," I'm not actually a fan of Rebecca Gilman¹ - so Freelance Dramaturg isn't really just a noseless caricature of The Slogger.

So there.

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1. Theatre Geek Footnote: I think Gilman hides behind shock value and would not be half as critically acclaimed if she were a man writing the same Neo-Websterian Grand Guignol pieces of cod-Mamet. In fact, her writing reminds me of that guy in every first year playwriting class who thinks that staccato dialogue liberally interspersed with "fucks" and "cocksuckers" makes him edgy. But she's the one getting awards and critical acclaim, whereas I haven't even been paid for my writing in almost 9 years, so I'm certainly no judge... Also, I've never even read or seen Spinning Into Butter, which is usually considered her best work. ...Hell, I guess I shouldn't throw stones.

My Little Buddy is in a Bad Way

Serious one again. I hate serious ones.

Far be it from the Slog to only post about those suffering from cancer, but my remaining rat, Dante is on his last legs. He was recently diagnosed with a malignant, aggressive sarcoma. It's been over a year since I lost my last rat, Dante's little brother Wilson, to a sudden respiratory condition, and it hasn't been any easier this time around.

This time around, I refuse to write a post when Dante passes on, though. While he's still here, I'm going to talk about my special little guy, and why he's my favorite pet rat of all time (and I've had eight of them in the last 12 years).

I got Dante (and his brother Wilson) about 2-1/2 years ago (I'm guessing here, my personal sense of time is a little screwy), when Ali and I were in the early stages of dating. Ali had just lost her own rat, Ezzie (short for Esmerelda), to mammary tumors (a common occurence in female rats at a certain age).

As I usually say when faced with an impending rat death, I swore up and down, "I'm never getting another one. Never again. They don't live long enough, and it's just to hard to watch this."

So, of course, we ended up getting two rats within weeks.

The backstory: Ali and I were picking up food and bedding for her chinchilla (we have a lot of animals. A lot) when we happened to go by a cage with 4 male rats frolicking about. They all had really great personalities, and we were hard-pressed to tear ourselves away from the cage.

We left the store, ran a few more errands, and realized we forgot something. We went back to the pet store to discover that two of the rats were gone. We mentioned to an employee that at least the person who bought them knew that rats, who are social mammals, do better in pairs.

"Ugh," said the employee. "I hate when people buy the rats here for snake food. They're intelligent animals. It's sick the way people feel the need to feed snakes live food to watch, when you can get them prekilled items, which are healthier and safer anyway."

Ali and I looked at each other. As one mind, we said "we're getting them."

So, we ended up with two rats. We justified our purchase with the statement, "At least they're male. We won't have to worry about mammary tumors" (which are, more or less, breast cancer for rats). We decided that each of us would name one. Ali, named the (much, much) smaller one "Wilson," which I have always assumed was after Dr. James Wilson on House, MD. I named the lumbering, gentle giant Wilson shared a cage with "Dante," after the Medieval poet, not Dante Bichette as some of you no doubt expected.

We lost Wilson last June, but Dante lumbered on, getting fatter, lazier, but friendlier all the while. He is, by a long stretch, the friendliest little (huge) rat I've ever met. He would, if you let him, spend literally hours licking your hands and grooming your nails (rat ways of showing affection). He spent almost any other moment out of his cage engaging in the curious rat behavior known as bruxing, a tooth grinding that is roughly akin to a cat's purr. In fact, I'm going to go out on a limb and say he is the friendliest pet I've ever owned.

And the laziest.

Lord, how he loved to just sit there on your lap, or chest, or shoulder and be petted. Take any other rat I've ever had out of the cage, and within minutes he or she had explored the entire area around, and probably wouldn't sit completely still until every fun thing was exhausted, and it was time to take a nap.

Then there's Dante. I think in the past two years, Dante never went more than two feet away, and inevitably waddled back to his starting point, to be petted and scratched between his shoulder blades (which he adored - I don't think he could reach there, otherwise). He often dozed off while I sat with him watching TV - and I often came close to joining him.

But there is one thing the little guy has shown more love for than sleeping: eating. He could pack it away in better times. Clever little guy that he is, he figured out that if he banged on the roof of his cage in the late evening, it would remind me that it was feeding time...so he started banging earlier and earlier every day. His feeding time started creeping sooner and sooner. By the end, he was usually eating a full two hours earlier than he did at this time last year.

He also took advantage of my ADD-ravaged memory to, on more than one occasion, trick me into feeding him twice in one night. I spent much of the last year complaining bitterly that the rat was going to be softball shaped before much longer.

Given that he was always a fat, male rat, his current condition is particularly hard for me to bear. He's lost a lot of weight, and has a ghost of his old appetite. His former lumbering gait has turned into a limp (surgery scars and and a series of abcesses near his pelvis, combined with the stunningly fast reappearance of a tumor have rendered his back legs nearly useless). And the ultimate cause of this? A mammary tumor. That's right. The gentle giant of a rat that I used to pretend talked like Barry White ended up having more in common with Quincy Jones. And now he looks small and frail.

I'm going to go home tonight and take him out, let him sit in my lap and give him a scratch between the shoulder blades. Maybe a little baby food will perk his taste buds up a bit. When he passes, which won't be long, you won't hear about it here. I'm going to talk about Ghostbusters or sleazy Glam Punk bands or Stan Lee's progressive views on females next time I log in to blogger. But I had to get this off my chest, and this lunch break seemed the best time.

I love you Dante. And you are the last. This time I mean it.

It's just too hard.

RIP, Billy Lee

http://www.commercialappeal.com/news/2009/aug/02/sun-records-giant-billy-lee-riley-dead-75/

Damn.

Billy Lee Riley needs help!

Not one of my usual jokey, frivolous posts. Bear with me, and if you can, help.

I found this out here, which in turn got the following from the Rockabilly Hall of Fame site:

Billy Lee Riley ...
one of the remaining original Sun Records artists, Is in VERY bad need of help! Billy has had his share of health problems, and is now battling Stage FOUR bone cancer. Although musicares is helping with house payment, car and such, He and Joyce are totally out of money and can barely afford to eat. This is a CALL FOR HELP to all musicians and fans. Please remember, twenty bucks from all of us would make a HUGE difference in Billy's life! What if this was you? Let's all get together and send something today to Billy and Joyce and show them that he means alot to us. If you have a website, a facebook or myspace, please post this need for help on it! We can't save the world, but it will mean alot in Billy Lee's life!

His Address is:

Billy Lee Riley
723 Crest Drive
Jonesboro, Arkansas 72401

I don't have much to add to the blog above (read the link, it's short and to the point), but Billy Lee Riley is a living legend, and his "Flying Saucers Rock and Roll" is as close to perfect as any music can be. In an ideal world he would have been as big as Jerry Lee Lewis, Carl Perkins, or really any of the great Sun artists.

If you can help him, please do. I know I can't afford much, but he's worth it.

My First Foray Into Electoral Politics....

Okay, this is less of a blog, and more of a link to Thunder Matt's Saloon, where I actually wrote a blog entry.

I guess that earns a lazy blogging tag, even if I worked on it elsewhere...

If I May Be Pompous For a Moment....

Note: In lieu of writing TWO non-Hitler-Punch-Related Blog Entries in the same month, I am dual posting this entry on TMS and right here on the sadly-neglected-of-late Slog. You know...in case you give a rat’s ass.

Welcome to Wolter’s Music and Pop Culture Theory Corner, a feature deemed “Too Pseudointellectual Even For Pomp Culture” by a volunteer panel of U of C grad students.

Today’s discussion is based on aspects of the Generational Theory first espoused by William Strauss & Neil Howe in their seminal work, Generations (not to be confused with the incredibly bad Star Trek movie of the same name), and how they related to the lyrical content of the debut single two unrelated UK bands from roughly a quarter century apart (The Adverts and Art Brut).

Generational Theory is a more or less cyclical explanation of long-term historical trends based on each generation’s relation to and reaction at the previous generations throughout the phases of their life. It’s a very fascinating tool that, while not fully accurate as a predictive device, is very interesting as a means of analysis of events. You can get a decent quick-n-dirty overview in the wikipedia link above, which I strongly recommend reading as a background material (I'm going to be relatively brief in my reasoning, so if you find flaws with this theory, remember that Strauss & Howe wrote several books on the topic, and it's worth reading more about it).

At any rate, the short version is each generation has an overall character that is the result of its environment (though obviously there are always members of each generation that defy the prevailing norms). The two generations that matter for this discussion are Generation X (also known as 13th Gen) and the Millennial Generation (also known as Generation Y).

The Adverts formed in 1977 as part of the slew of punk bands that appeared in the wake of the Sex Pistols (and to a lesser extent, the Clash and the Damned) rise to notoriety in the UK. Their debut single, “One Chord Wonders” is a marvelously paranoid ode to the bravado and gallows-humor of musicians with low-self-esteem everywhere who know in their hearts they are doomed to failure. For the purposes of this discussion, please feel free to download a copy here.

And, for your perusal, here are a copy of the lyrics (hopefully correct, as god knows I don’t want to search too deeply for lyrics sites, and the requisite computer viruses they seem to contain):

I wonder what we'll play for you tonight.
Something heavy or something light?
Something to set your soul alight?
I wonder how we'll answer when you say,
"We don't like you - go away,
"Come back when you've learnt to play"

I wonder what we'll do when things go wrong,
When we're half-way through
Our favorite song,
We look up and the
audience has gone.
Will we feel a little bit obscure?
Think "we're not needed here,
"We must be new wave
- they'll like us next year"

The Wonders don't care
- we don't give a damn (repeated to end of
song)

Note the outright pessimism and cynicism of these lyrics. This is a band that fully expects to go nowhere, but plans to do so defiantly. This is very indicative of the Nomad Generation mentality, which describes both Generation X (born c. 1960-1982 – opinions differ on the exact dates) and preceding similar generations (such as the Lost Generation). Of course, Adverts lead vocalist TV Smith was born in 1956, a few years before the first Generation X cohort, but this song’s worldview is much more Gen X than Boomer (and most of the fans he was reaching for were first cohort Boomers). Indeed, most of the idealized notions of the Punk subculture are overwhelmingly suited to the first stirrings of Generation X – rebelliousness tempered with nihilism, a belief that there is no future and very little hope. Irony is the shield of the Nomad Generation, defending it against the dark pessimism ingrained in most members.

On the other hand, Art Brut (who formed in 2003 at the cusp of a Post-Punk revival in the British charts, are staunchly part of a Hero Generation (The Millennials who followed Generation X and are most closely analogous to the GI, or Greatest Generation born c. 1900-1924). Team oriented, optimistic, and usually hard-working, Millennials are often thought have no use for the cynical irony of the Gen X-ers (which irritates Gen X-ers almost as much as being called "Gen X-ers"). They have the sense that they are special and have been brought up for a purpose, which can be seen in the debut single "Formed a Band" which can be found here (well, the album version). Also, note (like T.V. Smith) that Art Brut's lead vocalist Eddie Argos was born just before the technical beginning of this Generation, but is singing to an audience of first cohort Millennials. I think some artists on Generational cusps are the canaries in coal mine who feel the shift as it's happening.

Now contrast the following lyrics with what goes before:

Formed a band
We formed a band
Look at us
We formed a band
(x4)

Honey pie, I don't know when it started
Just stop buying your albums
from the supermarkets
They only sell things that have charted
And Art Brut?
Well we've only just started

And yes, this is my singing voice
It's not irony
And it's not rock and roll
I'm just talking
To the kids

Formed a band
We formed a band
Look at us
We formed a band
(x4)

I want to be the boy
The man
Who writes the song
That makes Israel and Palestine
Get along

I'm gonna write a song
As universal as Happy Birthday
That's gonna make sure
That everybody knows
That everything's gonna be ok
I'm gonna take that song
And we're gonna play it
Eight weeks in a row on Top of the Pops

Formed a band
We formed a band
Look at us
We formed a band
(x4)

Dye your hair black
Never look back
My past is my business

We have two songs about more-or-less the same subject by bands that aren't massively musically dissimilar. But what a difference a generation makes. A specific denouncement of irony (at least the humorless kind), and a bouncy statement that despite their admitted shortcomings, Art Brut (whose very name means, more or less, "Primitive Art") will take the world by storm and solve everyone's problems. The Adverts seems to be saying "You probably will hate us, but screw you, we don't care what you think...much...." Art Brut is saying "You don't know it yet, but we're your new favorite band. And we love that about you." There's a bit of a twist of the knife at the end, but no true darkness pervades this song.

Ultimately, of course, this is just an observation I made while listening to my iPod on shuffle. But it gave this late-cohort Gen X-er (God, I hate that term) some food for thought about two songs he happens to enjoy quite a bit for very different reasons.